Sigil of Gremory Stainless Steel Necklace

Gremory stands apart from the crowd — one of the only demons in the Ars Goetia depicted as a woman, and this stainless steel sigil pendant carries her particular blend of glamour and knowing. She's the 56th spirit, a Duke Strong and Powerful commanding twenty-six legions, appearing as a beautiful woman with a duchess's crown tied about her waist, riding a great camel.

Her office covers all things past, present, and to come, the location of hidden treasure, and — most distinctively — procuring the love of women, young and old alike. That combination of foresight, buried riches, and matters of the heart makes her sigil a natural fit for anyone doing love work, treasure-seeking, or just wanting a little more clarity on where they stand with someone.

Wear it for love work, for revealing what's hidden, for treasure — literal or emotional — and for a bit of duchess energy on a Tuesday.

• Material: Stainless steel (tarnish-resistant, hypoallergenic-friendly, built for daily wear)
• Design: Gremory's sigil from the Ars Goetia, rendered as a 1" pendant
• Chain: 17" length

Who Is Gremory?

Gremory (also spelled Gomory, Gemory, or Gamori) is the 56th spirit of the Ars Goetia, the first book of the Lesser Key of Solomon, ranked a Duke Strong and Powerful commanding twenty-six legions of spirits. She's one of the few Goetic demons consistently described as female in appearance — a beautiful woman wearing a duchess's crown tied about her waist, riding a camel — though, in keeping with the rest of the Goetia, the texts still refer to her using masculine pronouns throughout.

Her office is to tell of all things past, present, and to come, to reveal where hidden treasure lies, and to procure the love of women both young and old, with an especially noted pull toward maidens. This description holds steady across sources — Johann Weyer's 16th-century Pseudomonarchia Daemonum, the Lesser Key of Solomon, and the 19th-century Dictionnaire Infernal all largely agree, though legion counts vary slightly between texts (26, 27, or as high as 42 depending on the source).

An interesting textual note: some editions describe her crown as worn at the waist rather than the head, which later scholars have suggested may be a mistranslation of the Latin cingitur — more accurately meaning "encircling her head" rather than her waist. Either way, she remains one of the Goetia's more distinctive and romantically-inclined entries.